EFTA01126198

A-DEP : Automatic Depth-of-Field AE 
Objects in the foreground and background will be in focus automatically. 
All the AF points will function to detect the subject, and the aperture 
required to attain the necessary depth of field will be set automatically. 
• <A-DEP> stands for Auto-Depth of field. This mode sets the depth of field 
automatically. 
2 
Set the Mode Dial to <A•DEP>. 
Focus the subject. 
• Aim the AF points over the subjects 
and press the shutter button halfway 
(N). 
• All the subjects covered by the AF 
points flashing in red will be in focus. 
• If focus is not achieved, the picture 
cannot be taken. 
3 Take the picture. 
? FAQ 
• The aperture display in the viewfinder blinks. 
The exposure is correct. but the desired depth of field cannot be 
obtained. Either use a wide-angle lens or move farther away from 
the subjects. 
• The shutter speed display in the viewfinder blinks. 
If the '30— shutter speed blinks. it means that the subject is too dark. 
Increase the ISO speed. If the "40004 shutter speed blinks, it means 
that the subject is too bright. Decrease the ISO speed. 
• A slow shutter speed has been set. 
Use a tripod to steady the camera. 
• I want to use flash. 
Flash can be used, however, the result will be the same as using the 
<P> mode with flash. The desired depth of field will not be obtained. 
101 
EFTA01126298

CC Changing the Metering Mode*
Four methods (metering modes) to measure the subjects brightness 
are provided. Normally, evaluative metering is recommended. 
In Basic Zone modes, evaluative metering is set automatically. 
EnOtanp/AEB 
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Select [Metering mode]. 
• Under the In') tab, select [Metering 
model, then press Ce,.. 
2 Set the metering mode. 
• Select the desired metering mode, 
then press < 
GT3 Evaluative metering 
This is an all-around metering mode suited for 
portraits and even backlit subjects. The camera 
sets the exposure automatically to suit the scene. 
GO Partial metering 
Effective when the background is much brighter 
than the subject due to baddighting. etc. The gray 
area in the left figure is where the brightness is 
metered to obtain the standard exposure. 
[€1 Spot metering 
This is for metering a specific part of the subject or 
scene. The gray area in the left figure is where the 
brightness is mewed to obtain the standard 
exposure. This metering mode is for advanced users. 
C3 Center-weighted avenge metering 
The brightness is metered at the center and 
then averaged for the entire scene. This 
metering mode is for advanced users. 
tat With fig. the exposure setting will be locked when you press the shutter 
button halfway and focus is achieved. With C:D. CO. and C]. the exposure 
setting is set at the moment or exposure. (The exposure setting is not locked 
when you press the shutter button halfway.) 
102 
EFTA01126299

Setting Exposure Compensation *
Av2I Setting Exposure Compensation 
Sot exposure compensation if the exposure (without flash) does not come out 
as desred. This feature can be used in Creative Zone modes (except <M>). 
You can set the exposure compensation up to ±5 stops m 1/3-stop Increments. 
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Making it brighter: 
Hold down the <ha> button and 
turn the <en> dial to the right. 
(Increased exposure) 
Making it darker: 
Hold down the <M2> button and 
turn the </> dial to the left. 
(Decreased exposure) 
► As shown in the figure, the exposure 
level is displayed on the LCD monitor 
and in the viewfinder. 
• After taking the picture, cancel the 
exposure compensation by setting 
h back to 0. 
Dark exposure 
I nova 
exposure or a brighter image 
ray • The exposure compensation amount displayed in the viewfinder goes up 
to only ±2 stops. If the exposure compensation amount exceeds x2 
stops. the end of the exposure level indicator wd display <4, or <k>. 
• The exposure compensation can also be set with 1O' Expo. comp/ 
AEB1 (p.105). If you will set exposure compensation exceeding x2 stops. 
you should use (Cat Expo. compJAE8i to set it 
103 
EFTA01126300

Setting Exposure Compensation°
ea Flash Exposure Compensation 
Set flash exposure compensation if the flash exposure of the subject 
does not come out as desired. You can set the flash exposure 
compensation up to ±2 stops In 113-stop increments. 
Press the cl:I> button. (010) 
► The Quick Control screen will appear 
(p.41). 
Fr& El 
2 Select [In]. 
• Press the <.:•> key to select [Gal. 
IA [Flash exposure comp.] will be 
Cason ci CC 
at 
displayed al the bottom 
Set the flash exposure 
021-111r 3 compensation amount. 
near ci 00 
AL 
• To make the flash exposure brighter, 
turn the cS> dial to the right. 
To make it darker. turn the <Q> dial 
to the left. (Decreased exposure) 
ess 
s 
► When you press the shutter button 
halfway. the ca.> Icon will appear in 
the viewfinder. 
• After taking the picture, cancel the 
flash exposure compensation by 
setting k back to 0. 
If (Cs' Auto Lighting Optimizer] (p.109) is set to any setting other than 
(Disable]. the image may look bright even if a decreased exposure 
compensation or decreased flash exposure compensation has been set. 
You can also set flash exposure compensation with (Built-in flash tune. 
setting) in [Of Flash control) (p.181). 
104 
EFTA01126301

MD Auto Exposure Bracketing * 
This feature takes exposure compensation a step further by varying the 
exposure automatically (up to ±2 stops in 1/3-stop increments) with 
three shots as shown below. You can then choose the best exposure. 
This is called AEB (Auto Exposure Bracketing). 
Standard exposure 
Darker exposure 
(Decreased exposure) 
Brighter exposure 
(Increased exposure) 
AE8 amount 
p 
• 125 
a, 
1 Select [Expo. compJAEB]. 
• Under the [01 tab, select [Expo. 
comp./AEB], then press <e>. 
2 Set the AEB amount. 
• Turn the ciLl; > dial to set the AEB 
amount 
• Press the <AIP.> key to set the 
exposure compensation amount. If 
AEB is combined with exposure 
compensation, AEB will be applied 
centering on the exposure 
compensation amount. 
• Press <C), to set it. 
• When you press the <MENU> button 
to exit the menu, the AEB level will be 
displayed on the LCD monitor. 
3 Take the picture. 
• Focus and press the shutter button 
completely. The three bracketed 
shots will be taken in this sequence: 
Standard exposure, decreased 
exposure, and increased exposure. 
105 
EFTA01126302

QED Auto Exposit. Bractating•
Canceling AEB 
• Follow steps 1 and 2 to turn off the AEB amount display. 
• The AEB setting will also be canceled automatically if the power 
switch is set to <OFF>. flash recycling is completed. etc. 
4 Shooting lips 
• Using AEB with continuous shooting: 
If <la> continuous shooting (p.88) has been set and you press the 
shutter button completely, the three bracketed shots will be taken 
continuously in this sequence: Standard exposure, decreased 
exposure, and increased exposure. 
• Using AEB with <❑> single shooting. 
Press the shutter button three times to take the three bracketed 
shots. The three bracketed shots will be exposed In the following 
sequence: Standard exposure. decreased exposure, and Increased 
exposure. 
• Using AEB with the self-timer or remote control (sold 
separately). 
With the self-timer or remote control (<i$J> or <$.)2>), you can take 
three continuous shots after a 10-sec. or 2-sec. delay. With <$.)c> 
(p.69) set, the number of continuous shots will be three times the 
number set. 
IP • Neither flash nor bulb exposures can be used with AEB. 
• If (Be Auto Lighting Optimizer) (p.109) is set to any setting other than 
(Disable). the AEB's effect might be minimal. 
106 
EFTA01126303

* Locking the Exposure*
You can lock the exposure when the area of focus is to be different from 
the exposure metering area or when you want to take multiple shots at 
the same exposure setting. Press the <*> button to lock the exposure, 
then recompose and take the shot. This is called AE lock. It is effective 
for backlit subjects. 
-ADE° ea 
0 
AE Lock Effects 
1Focus the subject. 
• Press the shutter button halfway. 
IP. The exposure setting will be 
displayed. 
2 Press the <*> button. (64) 
► The <*> icon lights in the viewfinder 
to indicate that the exposure setting is 
locked (AE lock). 
• Each time you press the <*> button. 
It locks the current autoexposure 
setting. 
3 Recompose and take the picture. 
• If you want to maintain the AE lock 
while taking more shots, hold down 
the <*> button and press the shutter 
button to take another shot. 
Metering Mode 
(p.102) 
AF Point Selection Method (p.85) 
Automatic Selection 
Manual Selection 
Oa' 
AE lock is applied at the AF 
pant that achieved focus. 
AE lock is applied at the 
selected AF point. 
CZ I MC3 
AE lock is applied at the center AF point. 
When the lens focus mode snitch is set lo <MF>. AE locks applied at the weer AF pont 
107 
EFTA01126304

Fr i
0 Qs 
c 9 
* Locking the Flash Exposure*
If the subject is on the side of the frame and you use flash, the subject 
may turn out to be too bright or dark depending on the background, etc. 
This is when you should use FE lock. After setting the proper flash 
exposure for the subject, you can recompose (put the subject toward 
the side) and shoot. This feature can also be used with a Canon EX-
series Speedlite. 
FE stands tor Flash Exposure. 
1 Press the c$> button. 
I. The built-in flash will rise. 
• Press the shutter button halfway and 
look in the viewfinder to check that 
the <$> icon is lit. 
ji Focus the subject. 
sz.o, wet,,,ng 
3 Press the cif > button. (816) 
• Aim the spot-metering circle over the 
subject, then press the c*> button. 
I. The flash will fire a preflash and the 
required flash output is calculated 
and retained in memory. 
I. In the viewfinder, 'FEL" is displayed 
for a moment and <$46> will light. 
• Each time you press the <*> bunco. a 
preflash is fired and the required flash output 
is calculated and retained in memory. 
4 Take the picture. 
• Compose the shot and press the 
shutter button completely. 
I. The flash is fired when the picture is 
taken. 
If the subject is too far away and beyond the effective range of the flash, the 
<S> icon will blink. Get closer to the subject and repeat steps 2 to 4. 
108 
EFTA01126305

aEILD Correcting the Brightness and Contrast Automatically * 
If the image comes out dark or the contrast is low, the brightness and 
contrast can be corrected automatically. This feature is called Auto 
Lighting Optimizer. The default setting is [Standard]. With JPEG images, 
the correction is done when the Image is captured. For RAW images. it can 
be corrected with Digital Photo Professional (provided software. p.302). 
Ext." corm htE8 
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1 
Select [Auto Lighting Optimizer]. 
• Under the [01 tab, select (Auto 
Lighting Optimizer), then press 
<e>. 
2 Select the setting. 
• Select the desired setting, then press 
<e>. 
3 Take the picture. 
• The image will be recorded with the 
brightness and contrast corrected if 
necessary. 
Without correction 
',Mb correction 
• Under (ei Custom Functions (C.Fn)]. if (6: Highlight tone priority] is 
set to (1: Enable], the Auto Lighting Optima& 
be set automatically to 
(Disable) and you cannot change this setting. 
• Depending on the shooting conditions. noise might increase. 
• If a setting other than (Disable) is set and you use exposure 
compensation, flash exposure compensation. or manual exposure to 
darken the exposure, the image might still come out bright. If you want a 
darker exposure, set (Auto Lighting Optimizer] to (Disable] first 
In Basic Zone modes. (Standard] is set automabcaly. 
109 
EFTA01126306

GEE Correcting the image's Dark Corners • 
Due to the lens characteristics. the four corners of the picture might look 
darker. This phenomenon is called lens light fall-off or drop in peripheral 
illumination and can be corrected automatically. The default setting is 
[Enable]. With JPEG images, the correction is done when the image is 
captured. For RAW images, it can be corrected with Digital Photo 
Professional (provided software, p.302). 
P. 
Quaity 
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Enable 
Rinse shutter Mewl cord 
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PenOtrai Ourrin (cow 
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Alteched lens 
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Correcbon disabled 
Correction enabled 
1 
Select [Peripheral illumin. 
correct]. 
• Under the [h) tab, select 
[Peripheral Illumin. correct.], then 
press cea. 
2 Select the setting. 
• On the screen. check that 
[Correction data available] is 
displayed for the attached lens. 
• If [Correction data not available) is 
displayed, see 'About the Lens 
Correction Data" on the next page. 
• Select [Enable], then press <CD>. 
3 Take the picture. 
• The image will be recorded with the 
corrected peripheral illumination. 
4.1:Mplir
r
110 
EFTA01126307

IMID Correcting the Image's Dalk Corners 
About the Lens Correction Data 
The camera already contains lens peripheral illumination correction 
data for approx. 25 lenses. In step 2. if you select [Enable), the 
peripheral light correction will be applied automatically for any lens 
whose correction data has been registered in the camera. 
With EOS Utility (provided software, p.302), you can check which 
lenses have their correction data registered in the camera. You can also 
register the correction data for unregistered lenses. For details, see the 
Software Instruction Manual (CD-ROM) for EOS Utility (p.304). 
• For JPEG images already captured, lens peripheral illumination 
correction cannot be applied. 
• Depending on shooting conditions. noise might appear on the image 
periphery. 
• When using a non-Canon lens. setting the correction to (Disable) is 
recommended, even if (Correction data available) is displayed. 
• Lens peripheral light correction is also applied when an Extender is 
attached. 
• If the correction data for the attached lens has not been registered to the 
camera, the result me be the same as when the correction is set to 
(Disable). 
• The correction amount applied wdl be slightly lower than the maximum 
correction amount settable nth Nita] Photo Professional (provided 
software). 
• If the lens does not have distance information, the correction amount mil 
be lower. 
• The higher the ISO speed, the lower the correction amount will be. 
111 
EFTA01126308

,3 Customizing Image Characteristics * t. 
You can customize a Picture Style by adjusting individual parameters 
like (Sharpness) and (Contrast). To see the resulting effects, take test 
shots. To customize (Monochrome], see page 114. 
I 
Press the <1 4'4> button. 
2 Select a Picture Style. 
• Select a Picture Style, then press the 
. 
I 
' 
<INFO.> button. 
O. The Detail set. screen will appear. 
...Li • 
3 Select a parameter. 
onet,, 
• Select a parameter such as 
ILA cevast 
(Sharpness), then press ce>. 
Moak sa 
 
 4  Set the parameter. 
• Press the < AP. > key to adjust the 
parameter as desired, then press 
• Press the <MENU> button to save 
the adjusted parameters. The Picture 
Style selection screen will reappear. 
Po Any parameter settings different from 
the default will be displayed In blue. 
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SIMMS lel 
112 
EFTA01126309

3:a Customizing Image Characteristics 
Parameter Settings and Effects 
O Sharpness 
Adjusts the sharpness of the image. 
To make it less sharp, set it toward the 0 end. The closer it is to 0. 
the softer the image will look. 
To make it sharper, set it toward the U end. The closer it is to U. the 
sharper the image will look. 
c Contrast 
Adjusts the Image contrast and the vividness of colors. 
To decrease the contrast, set it toward the minus end. The closer it is 
to 0 the blander the image will look. 
To increase the contrast, set it toward the plus end. The closer It Is to 
0. the crisper the Image will look. 
Saturation 
The image's color saturation can be adjusted. 
To decrease the color saturation, set it toward the minus end. The 
closer it is to 0. the more diluted the colors will took. 
To increase the color saturation, set it toward the plus end. The 
closer it is to 0. the bolder the colors will look. 
C Color tone 
The skin tones can be adjusted. 
To make the skin tone redder, set it toward the minus end. The 
closer it is to 0, the redder the skin tone will look. 
To make the skin tone less red, set it toward the plus end. The closer 
it is to 0. the more yellow the skin tone will look. 
• By selecting (Default set] in step 3. you can revert the respective 
Picture Style to its default parameter settings. 
• To shoot with the Picture Style you modified. follow step 2 on page 81 to 
select the modified Picture Style and then shoot. 
113 
EFTA01126310

.3:s• CustonSaki° Image Characteristics 6
Monochrome Adjustment 
For Monochrome, you can also set [Filter effect] and [Toning effect] in 
addition to [Sharpness] and [Contrast] explained on the preceding 
page. 
'Filter Effect 
i 
Crf.tul, ‘e 
With a fitter effect applied to a 
monochrome image. you can make 
white clouds or green trees stand out 
ril0f0. 
Filter 
Sample Effects 
N: None 
Normal black-and-white image with no filter effects. 
Ye: Yellow 
The blue sky will look more natural. and the white clouds wit lock 
cdsper. 
°r: Cirange
The blue sky MI look sbghtly darker. The sunset will
 more 
briliant. 
R: Red 
The blue sky will look quite dark. Fall leaves will look crisper and 
brighter. 
G: Green 
Skin tones and lips will look fine. Tree leaves will look crisper and 
brighter. 
Increasing the [Contrast] will make the filter effect more pronounced. 
eToning Effect 
:r1 
By applying a toning effect, you can 
create a monochrome image in that 
color. It can make the image look more 
impressive. 
The following can be selected: [N:None]. 
p:Seplat [ES:Blue], [P:Puiple] or 
[G:Green]. 
114 
EFTA01126311

J."; Registering Preferred Image Characteristics * 
You can select a base Picture Style such as [Portrait) or (Landscape), 
adjust Its parameters as desired and register it under [User Def. 1], 
[User Def. 2), or [User Def. 3). 
You can create Picture Styles whose parameter settings such as 
sharpness and contrast are different. You can also adjust the 
parameters of a Picture Style which has been registered to the camera 
with EOS Utility (provided software, p.302). 
f us« Do I 
Akio 
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(CS we 
Press the <V 
> button. 
2 Select [User Def.l. 
• Select [User Def."). then press the 
<INFO.> button. 
• The Detail set. screen will appear. 
3 Press <C)>. 
• With [Picture Style] selected, press 
<e >. 
4 Select the base Picture Style. 
• Press the <At > key to select the 
base Picture Style, then press <ei>. 
• To adjust the parameters of a Picture 
Style which has been registered to 
the camera with EOS Utility (provided 
software), select the Picture Style 
here. 
115 
EFTA01126312

Regitteliftg Preferred Image Charactenstics • 
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5 Select a parameter. 
• Select a parameter such as 
(Sharpness), then press <e>. 
6 Set the parameter. 
• Press the <AO.> key to adjust the 
parameter as desired, then press 
<CD>. 
For details, see "Customizing Image 
Characteristics" on pages 112-114. 
• Press the <MENU> button to register 
the modified Picture Style. The 
Picture Style selection screen will 
then reappear. 
► The base Picture Style will be 
indicated on the right of (User Def. 1. 
• If a Piave Style has already been registered under (User Def.1 
changing the base Picture Style in step 4 will nullify the parameter 
settings of the registered Picture Style. 
• If you execute (Clear all camera settings) (p.176). all the (User Def.') 
settings will revert to the default. Any Picture Style registered via EOS 
Utility (provided software) will have only its modified parameters reverted 
to the default setting. 
TSI To shoot with a registered Picture Style. follow step 2 on page 81 to select 
(User Def.') and then shoot. 
116 
EFTA01126313

WB: Matching the Light Source*
The function adjusting the color tone so that white objects look white in 
the picture is called white balance (WB). Normally, the <Ma> (Auto) 
setting will obtain the correct white balance. If natural-looking colors 
cannot be obtained with <Ma>, you can select the white balance to 
match the light source or set it manually by shooting a white object. 
AL 
Press the <A WS> button. 
► [White balance} will appear. 
2 Select the white balance. 
• Press the <AP.> key or tum the 
dial to select the desired white 
balance, then press <(€)>. 
• The "Approx. ^"IC (K: Kelvin) 
displayed for the following white 
balance settings <*>, th„>, 
<a>. <t> or <NU> is the 
respective color temperature. 
Custom White Balance 
Custom white balance enables you to manually set the white balance 
for a specific light source for better accuracy. Do this procedure under 
the actual light source to be used. 
0 
0 
0 \L.'s' 0 
Spot metering circle 
1 Photograph a white object. 
• The plain, white object should fill the 
spot metering circle. 
• Focus manually and set the standard 
exposure for the white object. 
• You can set any white balance. 
117 
EFTA01126314

WB. maiming the Light Source 
2 Select [Custom White Balance]. 
• Under the ICI] tab, select [Custom 
White Balance], then press <e>. 
► The custom white balance selection 
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3 Import the white balance data. 
2 
• Select the image that was captured in 
step 1. then press <e>. 
P. 
O. On the dialog screen which appears. 
select (OK] and the data will be 
imported. 
• When the menu reappears. press the 
<MENU> button to exit the menu. 
C??0 
I 
1 
4 Selpercetssththee 
<A 
custom white balance. 
• 
W8> button. 
-., ,c-±:,  
• Select [act]. then press <e>. 
Le 
i 
0 
• If the exposure obtakied in step 1 is way off, a correct white balance 
might not be obtained. 
• M image captured while the Picture Style was set to (Monochrome) 
(p.82) or an image processed with a Creative filter cannot be selected in 
step 3. 
ty • Instead of a white object. an 18% gray card (commercially available) can 
produce a more accurate white balance. 
• The personal white balance registered with EOS Utility (provided 
sofvare. p.302) will be registered under 
If you do step 3. the data 
for the registered personal white balance will be erased. 
118 
EFTA01126315

Adjusting the Color Tone for the Light Source * t. 
You can correct the white balance that has been set. This adjustment 
will have the same effect as using a commercially-available color 
temperature conversion filter or color compensating filter. Each color 
can be corrected to one of nine levels. 
This is for advanced users who are familiar with using color temperature 
conversion or color compensating filters. 
White Balance Correction 
CEI0se• 
Select [WB Shift/BKM 
Expo coop /AFB 
'1..I 
Auto1.O0N cptutuir 
• Under the [01 tab, select [WS Shift/ 
UtterInc mole 
X 
BKTJ, then press <O›. 
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cope space 
P. The WB correction/WS bracketing 
screen will appear. 
Pictve krk 
2 Set the white balance correction. 
• Press the <4>> key to move the '•' 
mark to the desired position. 
U, 
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• B is for blue, A is amber, M is 
magenta, and G is green. The color in 
the respective direction will be 
Sample setting: A2, Cl 
corrected. 
• On the upper right, 'Shift" indicates 
the direction and correction amount. 
°Gal 
(Octet 
tO 
• Pressing the <INFO.> button will 
cancel all the MB ShiftifIKT) 
settings. 
• Press <C)> to exit the setting and 
return to the menu. 
• During the white balance correction. <i!> will be displayed in the 
viewfinder and on the LCD monitor. 
• One level of the blue/amber correction is equivalent to 5 mireds at a color 
temperature conversion filter. (Mired: Measuring unit indicating the 
density of a color temperature conversion feet.) 
119 
EFTA01126316

Adjusting the Color Tone la the Light Sowce°
White Balance Auto Bracketing 
With just one shot, three images having a different color balance can be 
recorded simultaneously. Based on the color temperature of the cunent white 
balance setting, the image vni be bracketed with a blue/amber bias or 
magentargreen bias. This is called white balance bracketing (WB-8KT). White 
balance bracketing is possible up to ±3 levels n single-level increments. 
WA bias ±3 'web 
Set the white balance bracketing amount 
• In step 2 for white balance correction. 
when you tum the  
> dial. thew 
mark on the screen MI change to '• • r' 
(3 points). Turning the dial to the right sets 
the B/A bracketing. and turning it to the 
left sets the M/G bracketing. 
► On the light 'Bracket' Indicates the 
bracketing direction and correction amount. 
• Pressing the <INFO.> button will cancel 
all the (WB ShittnilKT] settings. 
• Press <C)› to exit the setting and 
return to the menu. 
Bracketing Sequence 
The images will be bracketed in the following sequence: 1. Standard 
white balance, 2. Blue (B) bias. and 3. Amber (A) bias, or 1. Standard 
white balance, 2. Magenta (M) bias, and 3. Green (G) bias. 
Irl During WB bracketing. the maximal burst for continuous shooting hill be lower and 
the norther of poss Cote shots wit also decrease to ale-third the normal number. 
Jt-
• You can also set white balance correction and AE8 (p.105) together with 
while balance bracketing. If you set AE8 in combination with while balance 
bracketing, a total of nine images will be recorded fa a single shot. 
• Since three images are recorded for one shot the card will take longer to 
record the shot. 
• 13KT stands for Brackebrig. 
120 
EFTA01126317